Elena Kryukova

Delauney is a display font, inspired by the Art Deco style from the 1920s. Delauney visualizes luxurious looks, elegance, and wealth. This font is an all-caps font designed with geometric shapes and firm strokes that gives a clear look and minimalist.

Delauney also has some OpenType features and accented characters to give you many alternatives in your creative process. A great choice for your headline, title, label, editorial, logotype, quotes, typography, and more!

Delauney provides three styles :

• Regular: The main style for display or headline
• Shadow: Secondary style that you can use to beautify the Regular one.
• Catchwords: Available in three languages; English, Spain & Bahasa. Complete your words to look more decorative.

Thank you for visiting Happy designing!

Office Staff JNL is a version [with serifs added] of Popularity JNL – a condensed Art Deco design based (for the most part) on a popular typeface known in some foundry books as ‘Radiant’ with some reinterpreted characters… and is available in both regular and oblique versions.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

The extra bold, squared Art Deco sans hand lettering found on a 1940s travel poster for the Pennsylvania Railroad inspired Rail Service JNL, which is available in both regular and oblique versions.

While Student Council JNL was not influenced by any school activities, the design is based on a lithographed cardboard sign (circa 1930s) for Spizz Sparkling Water, a bottled seltzer from the Dr. Pepper Bottling Company of Lexington, Kentucky. 

A squared letterform with angled semi-serifs, this Art Deco typeface grabs attention.

Student Council JNL is available in both regular and oblique versions.

A piece of sheet music for “Broken Blossoms” circa the 1920s or early 1930s has its cover title hand lettered in a wide thick-and-thin Art Deco design.

This is now available as Flower Shop JNL, in both regular and oblique versions.

The hand lettered title found on the cover of the 1932 sheet music for “Dancing Marathon” inspired the digital revival of this unusual lettering as well as the font’s name.

This eccentric Art Deco design (with a slight bit of Art Nouveau mixed in) is a thin, monoline typeface.

Dancing Marathon JNL is available in both regular and oblique versions.

Dance marathons got their start during the Great Depression as people desperate to earn a few dollars would enter into contests that went on for hours until the last couple remained standing on the dance floor.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them. The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design.

With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.

A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design.

This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.

In its heyday, the Starlight Room of the Waldorf-Astoria in New York City quite frequently printed lunch and dinner menus for not only their rotating bill of fare, but also for special events held there.

The 1937 Electrolux (Eastern) Appreciation Banquet has its own menu cover, and the lettering was in a simple, yet Art-Deco influenced condensed block design with squared features.

This simple and quirky typeface has been digitally redrawn as Sales Convention JNL, and is available in both regular and oblique versions.

Jakob Erbar’s Art Deco font ‚Lux‘, released by Ludwig & Mayer in 1929, completely redrawn and redesign. The German umlaut glyphs Ä, Ö, and Ü come in their original form in the uppercases; in the lowercases the dieresis was placed above the letters.

The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”

F. H. Schneidler’s ‚Kontrast‘, released by Weber in 1930, revived.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

A heavy serif font with a handmade feel, Walden gives a hearty impression.

Despite its rustic appearance, Walden is perfectly adaptable to contemporary use, wherever a bit more character is needed. Decidedly kept simple, these three weights with matching italics is all you need.

Inspired by her Scandinavian heritage, Andrea Leksen created this modern geometric sans serif reminiscent of Scandinavian design and typography. With its tall x-height and monoweight strokes, Nordeco will be best showcased at large sizes, in headlines and other display uses. It contains 100 alternates with ornamental letters, borders, paragraph separators and seamless wallpapers for your designing pleasure. Designs include stripes, dots, art deco and leopard print.

Check out its cousin, Nordique!